The first of two studio albums by the -- trio (both of which preceded their famous engagement at the Village Vanguard), this reissue contains some wondrous interplay, particularly between pianist and bassist, on the two versions of 'Autumn Leaves.' Other than introducing ' 'Peri's Scope,' the music is comprised of standards, but the influential interpretations were far from routine or predictable at the time. And were nearly equal partners with the pianist in the ensembles and their versions of such tunes as 'Come Rain or Come Shine,' 'When I Fall in Love,' and 'Someday My Prince Will Come' (which preceded ' famous recording by a couple years) are full of subtle and surprising creativity.

In 1961, I went several times to the Vanguard to hear Bill Evans and saw the recording equipment set up. On one visit, seated across from me was Zoot Sims. I didn’t dare approach. What would be my purpose? What would I say?

Eloquence is an album composed of songs played by jazz musicians Bill Evans and Eddie Gomez between the years of 1973 and 1975. It was released posthumously in 1982 on Fantasy Records Personel.

I did nothing except listen to the music. At some point, I bought a copy of “Portrait” and one of “Debby” Price: $1.98 each. The store where I bought them was on 42nd Street just east of Fifth Avenue and was running a “special” on Riverside LPs. Both are first pressings and I still have both in excellent condition. I picked up a Dutch stereo pressing of this in VG++, maybe NM- condition at a very fair price yesterday.

Some hairlines (probably from sleeve removal) that do sound here and there, mostly due to the pressing being fairly quiet. The title track is my favorite cut, full of little off the cuff riffs and phrases that any lesser artist would’ve based an entire composition on. And LaFaro’s bass playing is outstanding. He’s got such a singular tone and style, and that on an instrument that tends to sound a bit anonymous even in the hands of the greats (to my ears, please don’t judge!). The liner note describe him as sounding like he’s playing a big guitar. I think there’s something in that.

Interestingly, while the sleeve is American style heavy laminated car,d the lamination is a bit different from American covers and your UK copy. It’s smoother, less dimply, and consequently a bit less pretty. I’m very happy with it but might keep a lookout for a good UK copy all the same (A US press is way out of my league, and, without the laminated cover, a bit less diserable to me as well, so that actually works out quite well!). Not trivia, not at all! Download gratis ebook dale carnegie bahasa indonesia translate.

I overlooked posting my more recent Dutch Stereo edition, the label and cover photos were very old and didn’t do justice to this wonderful Evans album, so I have updated all the previous pictures, and supplemented the previous post with my take on the stereo edition. What surprised me looking closer is the difference between British and Dutch pressing of the “same recording”, an eye-opener. Scroll down to the postscript, for a “night-in” with the Bill Evans Trio in stereo, chez LJC. Worth revisiting. LJC, I have just been revisiting this post while musing on why I haven’t got better pressings of some of my favourite Bill Evans records and was surprised to find you saying that Portrait in Jazz comes from the VV sessions.

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Surely it doesn’t — does it? I have always thought it to be a studio session recorded in December 1959 (at Reeves Studio NYC?). Yes, of course, it is the VV line-up — and all the more precious for that — but not from the VV sessions. I stand to be corrected, of course.

What am I missing? Haha, I laughed out loud at your little Corleone vengeance moment there.

Although, I must say, I thoroughly enjoy the fact that genius was in the house and nobody gave a s**t. I’ve never been to New York, but I hear the Village Vanguard nowadays is one of the yawniest places ever, with people attending jazz concerts like attending Sunday mass. 1961, on the other hand, everything was business as usual, just another night in the city. If you ever come accross the 3-CD complete version of this set, do me a favor and listen to the last track (in you haven’t already). The place is almost empty, only a few customers left, the producer and a few girls. You can hear Bill Evans joking around with Keepnews and it gives you an idea of how wonderfully relaxed the whole affair was. They didn’t know they just finished playing some legendary music.